Collection: Products
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Taste Triumphs over Drama: Mark Berry reviews the final two instalments of the Guy Cassiers ‘Ring’
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Telling a Story: Tom DeRose is enthralled by Dmitri Tcherniakov’s original take on ‘Parsifal’
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Thames Barrier: Something is preventing the flood of tears which Richard Laing usually experiences at the end of the ‘Ring’
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The Agony and the Ecstasy: Matthew Rye enjoys a perceptive interpretation of ‘Tristan und Isolde’
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The Art of Change: Patrick Carnegy considers a visionary director’s approach to opera production
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The Artwork of the Future: A Special Issue of The Wagner Journal
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The Bayreuth Wag: Chris Walton is diverted by a study of the lighter side of Wagner
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The Berlin Staatsoper Comes of Age: Barry Emslie welcomes a ‘Parsifal’ from another age
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The Best of Times, The Worst of Times: Richard Laing reflects on the delicious frustration that is the Bayreuth experience
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The Birth of Tragedy From the Spirit of Music: Hermann Grampp is overjoyed to find Stefan Herheim’s ‘Ring’ cycle at the Berlin Deutsche Oper back on track after its Covid-related interruptions
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The Body in the Library: Jeremy Coleman takes on the herculean task of reviewing the collected edition of Wagner’s musical works
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The Branding of Wagner: Tim Blanning assesses three new publications, praising illuminating details while cautioning against exaggeration
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The Cry of the Valkyrie: Feminism and Corporality in the Copenhagen ‘Ring’. Nila Parly investigates a major new cycle on DVD
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The Dutchman Comes Home: Mark Berry is intrigued by a production from Amsterdam that sets tradition against modernity
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The Dutchman Sighted Again in New York on Cue: Paula M. and Edward A. Bortnichak are thrilled by the marriage of the Met’s new music director and an evergreen revival
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The End of the Tunnel: Barry Emslie reports on the penultimate outing of Götz Friedrich’s ‘Ring’ production in Berlin
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