Collection: Products
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The New ‘Parsifal’ in Copenhagen: Barry Millington, Hartmut Haenchen and Andreas Bücker
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The Norwegian Nightingale: Disappointed by an inferior transfer, Mike Ashman offers his own posthumous tribute to Ingrid Bjoner
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The Plebs Rise up: Barry Emslie welcomes a radical production of ‘Rienzi’
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The Pursuit of Reality: David Breckbill appraises three contrasting approaches to recording Wagner
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The Remains of Day: Barry Millington is captivated by an enthralling new ‘Tristan’ at Bayreuth
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The Rest is Wagner: Heath Lees hails a breathtaking conspectus of Wagnerism
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The Sense of an Ending: Roger Allen assesses a new broadside in the ongoing debate about the coherence of ‘Götterdämmerung’
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The Shadow Within: Barry Millington reviews a revised study that examines Wagnerian secrets
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The Sins of the Father: Edward and Paula Bortnichak are inspired by a bold reimagining of the ‘Ring’ at Bayreuth
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The Sorcerer’s Apprentice: Joseph Horowitz appraises a facsimile reprint of Anton Seidl’s essay on conducting
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The Sound of Silence: Christopher Wintle reports on the ‘Holländer’ at Longborough
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The Spell of the Greasepaint: Simon Williams salutes a landmark study of Wagner’s works on stage
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The Spirits of ‘Parsifal’: Joachim Köhler investigates a new study probing the dark side of Wagner
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The Third Man Comes to Brabant: Tash Siddiqui is impressed by David Alden’s powerful new Covent Garden ‘Lohengrin’
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The Tragedy of Cosima and Isolde: Jonas Karlsson examines an account of an early rift in the Wagner clan
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The View from Scrutopia: Barry Millington assesses an ambitious new study of the ‘Ring’
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