Collection: Products
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The Birth of Tragedy From the Spirit of Music: Hermann Grampp is overjoyed to find Stefan Herheim’s ‘Ring’ cycle at the Berlin Deutsche Oper back on track after its Covid-related interruptions
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The Body in the Library: Jeremy Coleman takes on the herculean task of reviewing the collected edition of Wagner’s musical works
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The Branding of Wagner: Tim Blanning assesses three new publications, praising illuminating details while cautioning against exaggeration
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The Cry of the Valkyrie: Feminism and Corporality in the Copenhagen ‘Ring’. Nila Parly investigates a major new cycle on DVD
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The Dutchman Comes Home: Mark Berry is intrigued by a production from Amsterdam that sets tradition against modernity
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The Dutchman Sighted Again in New York on Cue: Paula M. and Edward A. Bortnichak are thrilled by the marriage of the Met’s new music director and an evergreen revival
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The End of the Tunnel: Barry Emslie reports on the penultimate outing of Götz Friedrich’s ‘Ring’ production in Berlin
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The End of the World Comes to the Potomac: Paul du Quenoy sees Washington finally get its ‘Ring’ cycle
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The Folk on the Hill: A timely history of the Wagner family is evaluated by Tim Blanning
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The Genius of the Place: Nicholas Baragwanath traces the sources of the exiled Wagner’s inspiration
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The German Homer: Arnold Whittall examines the extent of Wagner’s debt to the Greeks
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The Last Word: David Breckbill on Knappertsbusch’s final ‘Parsifal’
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The Magician of Venice: A study of the polymath Mariano Fortuny shines a light on the development of Wagnerian theatre, finds Patrick Carnegy
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The March of Time, or Time to March: Tash Siddiqui is stimulated by a lively analysis of recent German history laced with black humour
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The Mastersingers of Madrid: David Evans enjoys some light-hearted seriousness in the Spanish capital
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The Metropolitan Line: David Breckbill welcomes the chance to hear classic exponents of the great Wagnerian roles in performances recorded live at the Met
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