Collection: Products
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Sturm und Drang: Edward Christian-Hare braves the elements for Opera Holland Park’s first Wagner production
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Stuttgart Spins the Saga: Arnold Whittall gives a cautious welcome to an innovative cycle
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Suddhaseel Sen, Brünnhilde, the Aryan Satī: Wagner and German Orientalism
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Sun and Sex in Sicily: Lighter touch needed in the hedonistic ‘Das Liebesverbot’ suggests Barry Millington
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Susan Bullock, Charles Edwards, Keith Warner, Tash Siddiqui, A Director Prepares: A Roundtable in the Rehearsal Room
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Swell Boxes: Dexter Drown considers the latest Wagnerian releases
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Take Five, ‘Tristan und Isolde’: David Breckbill weighs the merits of the fifth release in Janowski’s complete Wagner project, and muses on his past and future ‘Ring’ cycles
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Taking an Early Lied: Malcolm Miller is not convinced by an attempt to resuscitate some of Wagner’s early thoughts on his songs, but is won over by a mixed collection of piano works
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Taking Wagner Seriously: Barry Millington reports on two trailblazing productions conceived specifically for Bayreuth
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Talk about Destruction: Barry Emslie welcomes a book of essays on the theory of opera production
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Tannhäuser as Veteran Rock Star: Michael Fuller reviews Harry Kupfer’s fifth ‘Tannhäuser’
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Tash Siddiqui, Flying the Republican Colours: The 1929 Krolloper Production of ‘Der fliegende Holländer’
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Tash Siddiqui, Richard Wagner and the Mystery of Old Compton Street
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Tash Siddiqui, Strange and Forbidden Fruits: Report on the Conference at Leeds University
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Tash Siddiqui, Valhalla Online: The Wagner Journal’s New Website
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Tash Siddiqui, ‘Guy and Doll’, ‘Isolde ohne Tristan’ and a Silent Soprano
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